舞在平行線系列 III

流。白

Moving／Void

– The Chinese Art of Moving in and out of the Void

– 尋找中國審美虛虛空空之間的當下流動記錄

《流。白》是一次重探中國舞鮮有叩問箇中審美內涵的「行動藝術」習作。作品借梁家權、蔡穎兩位不同時代以中國舞起家的現代舞者的身體創作，加上何應豐導演的視界、呂奡元和黃衍仁即興音樂創作、彭漲的民間唱腔、葉卓棠和黃宇恆的視覺脈動，一起拼合、撞擊、穿梭及尋找生命動靜虛空間的今日閱讀，給你我重拾中國舞蹈美學可能失落了的當下性、即興性和哲思內涵。

“Moving/Void” is an exploratory exercise on the hidden aesthetics of Chinese dance. Two modern dancers of different generations, originally trained in Chinese dance, Francis Leung and Cai Ying, would be working along side with Hoyingfung, a multi-disciplinary performance artist, in search of virtuoso in live art and its ever-innovative contexts buried in traditional Chinese dance movement. Impromptu musicians Lui Ngao Yuen and Wong Hinyan, would join hands with folk singer Peng Zhang and designers, Moon Yip and Bert Wong to weave in and out of the moving void, a mesmerizing tapestry in the making live on stage.